Tuesday, 14 September 2010

Location, Location, Location.

With not being allowed to film at the St Georges church, due it being closed. So we are in a bit of a hurry to find a location to film the video, we then had a group idea of filming in a wood, we got this idea from the video by Paramore - Decode but with a mixture of Futures - The Boy Who Cried Wolf.
On the Thursday 16th we are driving to a local wood, Bawdeswell heath, to see if it is plausible to use the location to film at. We are also thinking of the woods at Wells-Next-To-The-Sea.

Monday, 13 September 2010

LYRICAL ANALYSIS

 - THIS IS WHAT I PUT TOGETHER BEFORE WE FOUND OUT ABOUT THE LOCATION. 

Band are getting ready to play. Shot of the floor poster saying And The Winner Is… At (Name of Place) foot steps on it and the music starts to play. Connor walking to the building footsteps in time with music. At 4 seconds he is in the doorway back to camera in focus, band are in the distance as the drums come in the band jumps they land as the guitars come in.
 Up to 28 seconds their are shots representing the band close ups of faces instruments, doll shots. Changing shots with tints of colour and fit with the beat of the song.   
Time is calling and I am waiting,
Connor in the background singing clock in the foreground in focus OR shot of Peter playing the guitar in focus and then focus on the microphone that is in the foreground as Connor moves up to it. 
No sense of anticipation, Its underwhelming(Its underwhelming),
Connor is singing close up, when it gets to the 38 seconds the camera changes shot suddenly so it further back to give an effect of an echo.
The clocks been brewing up a storm,
Clock on the floor pan up to show band playing.  
For so long now I don't care what its for,
Close up of Connor until ‘what’ and it changes to a close up Thomas playing full body shot.
Long shot showing the how band until the drums were it changes shot to show Jack playing them 
And I'm still wearing the same old shoes,
Shoes tap or jumping to the song, camera tilted up to show Harry and Thomas on the other side. 
Tracing my steps, pacing the same old rooms,
Close up of Connor’s microphone, with him in shot.
And I'm still staying in all night,
Harry and Thomas playing full body shot to individual close ups  
Chasing the same old ghosts i'll never find,
Close up of drums and then a close of Connor as his voice fades pull camera away OR pan up
Cause i've been behind the glass,
Long shot and then jumps forward to match with the beat of the song. And then to the drums
Watching every scene stand up tall, then don't fall fast,
Close up of Connors eyes. Full body shot of him jolting down with the beat of the song. 
Reflections seem so simple, when you can't ask,
Mirror that is tilted to show the band playing. Close up of peter. 
A matter of hope that can never last,
A pan around Connor and then pull away at last.
Jack hitting the drums at 1 min 42 seconds
And I'm still wearing the same old shoes,
Tracing my steps, pacing the same old rooms,
And I'm still staying in all night, 
Chasing the same old ghosts i'll never find,
Step after step,
I'm here again,
Cause I can pretend that I'm Happy when
Step after step,
I'm here again,
Cause I can pretend that I'm Happy when (That I’m Happy When)
And I'm still wearing the same old shoes,
Tracing my steps, pacing the same old rooms
And I'm still wearing the same old shoes,
Tracing my steps, pacing the same old rooms,
And I'm still staying in all night, 
Chasing the same old ghosts i'll never find
And I'm still wearing the same old shoes,
Tracing my steps, pacing the same old rooms,
And I'm still staying in all night, 
Chasing the same old ghosts i'll never find,


this is what I put together during the summer term when we still believed we had use of the hall. We are going to use the same ideas that I have here but relate them to being in a forest.

Location


After the search for location we thought we found the perfect place but unfortunately they are closed on the sunday which is the only day we can film.

CD ANALYSIS

Thursday, 2 September 2010

Location Contact

I have just emailed a possible location to make sure we were allowed to film the music video in the church.

Wednesday, 1 September 2010

Media Forms and Conventions

One thing that you see in the early music videos of well known artists, there are great quantities of close-ups. This was and is done to make the artist well known to the viewer. Helping the artist to become a recognised face in the music industry and fans of the particular genre of music. 
Due to And The Winner Is… being unsigned they don’t get to have huge advertisements of themselves, so the next best thing is a music video that you can put on to Myspace, Youtube and Facebook. This is why I believe close ups have to an essential to our music video.
When it comes to filming the music video I believe we shouldn’t use generic camera shots and to try to use depth of field i.e. Connor sing in foreground and for Harry to be playing the guitar in the background, and then for the focus to switch to harry or vice versa. (The Futures - The Boy Who Cried Wolf)   
We will also follow Goodwin’s music video analysis, making sure that by the first time you see the band you instantly know they are Alternative/Pop Punk. We will represent this by their clothing, hair, guitars, location, etc.    

The Futures - The Boy Who Cried Wolf






I'm pulling teeth,
Just to know your name.
And I'm growing my hair.
Cause I've been told
That you like it better
With an oh so sweet dose of honesty.
I'll plant you the seeds of a tree,
So you can start your climb away from me.
Cause nobody likes a liar like do.
This is the boy who cried wolf,
Too many times before, too many times before.
This is the boy who cried wolf,
And he is not one to be counted on.
I'm swinging signs,
To show you where to look.
I'm talking to your best friends,
Just to meet you at the end.
With my oh so sweet reputation.
I'll plant you the seeds of a tree,
So you can start your climb away from me.
Cause nobody likes a liar like do,
Like I do.
This is the boy who cried wolf,
Too many times before, too many times before.
This is the boy who cried wolf,
And he is not one to be counted on.
This is the boy who cried wolf,
Too many times before, too many times before.
This is the boy who cried wolf,
And nobody likes a liar.
You ignore what they say
As I do honest things.
We've got to hand ourselves in,
We've got to hand ourselves in.
You have cried too many times
When there's nothing in the field.
I'll always hate you for this,
I'll always hate you for this.
This is the boy who cried wolf,
Too many times before, too many times before.
This is the boy who cried wolf,
And he is not one to be counted on.
This is the boy who cried wolf,
Too many times before, too many times before.





I watched this video and thought the way they filmed it was genius. The shots have had a great deal of thought put into them, with the depth of field and the composition make it visually entertaining. 
 The lyrics key in with the visuals when the lead singer Ant West, sings the line ‘I'll plant you the seeds of a tree’, at this point there is a depth of field shot with the tree in the foreground and West in the background singing the line. This is the only place where there is a relationship between lyrics and visuals, I found this quiet surprising. It surprised me because the video is them in a wood playing their instruments, yet it’s so well done that this relationship doesn’t actually matter. I like the way Sitcom Soldiers has done this. I believe that if we did a video in a similar it would go well for us. Through out the music video it cuts to the beat of the song, in certain place the change of shot picks up to fit in with the song. This happens at every time West sings
This is the boy who cried wolf,
Too many times before, too many times before.
This is the boy who cried wolf,
And he is not one to be counted on.
As he does the drumming escalates in beat and change of shot. This is to give an energetic vibe to the band and feel of what it would be like to see them live. At 1 minute and 36 seconds the change of shot increase again to fit in with the band jumping and swishing their hair around. During this there is one shot that really stands out for me the drummer hits a symbol and it goes up to cover the camera which then leads to a change in shot. The music video alternates between the relationship between the lyrics and the relation ship between the music. When the video is in the calm stages (1:54) of where the majority of the shot are West, the shots change on each new lyric line.  
You ignore what they say
As I do honest things.
We've got to hand ourselves in,
During the time West sings these lyrics the shots only change when he finishes the last of the line. This creates a relationship with the lyrics and the shots shown. They use slow pans that give the effect of the song being peaceful and relaxing, the lyrics are also sung in a tranquil way which adds to the effect. Sitcom Soldiers have created a music video that has a wide age target audience. The energetic parts are intended for the young target audience and the slower part are for the older audience, this allows it to be enjoyed by a larger audience than a small selection.       
During the video there are close ups of the band, as they are finally starting to get well know they need to really get their image through and they are doing this by the music video. They also did this in the video Sal Paradise, which also doesn’t follow lyrics but it gives them the impression of them as wanting to have fun. This is something that we will do to help get And The Winner Is… image out to the public.

The location that futures have filmed their music video is unlike the normal theme that a rock bands uses. I believe that it is more likely an area for a acoustic act. However they could be trying to represent the parts in the songs where it is more calming. The shot below of West singing is used at these part to make a connection between the visuals and beat.


However this is the only time that they don't fit into the typical rock theme. Their clothing is also stereotypical for their genre. 


The area that I believe that I have taken on board for our music production are the way that they have not linked the lyrics and visuals. However it has not caused a band music video, it has caused a music video that relates to the beat and the energy of the band. This is something that I would like have in the music video.